How not to become a query cautionary tale …

I’m always amazed when I see comments from agents on Twitter about querying writers going off the rails or making (very, very basic) mistakes in their queries. The agents usually give specific examples (like a recent “Dir Sirs,” salutation), and often include a handy-dandy hashtag (#querytip, for example) to help others who might be about to hit ‘send’ a tad prematurely.

Agents are nice people. They WANT us writers to succeed. After all, we have a symbiotic relationship, and success is good for all. So because of that, let’s all try to make our communications with those in the publishing world courteous at a minimum, and enlightened whenever possible. Deal?

To help with this, I’ve compiled a list of “10 ways to make sure your query doesn’t end up on a ‘what not to do’ list on Twitter“:

  1. Be professional: Think of each query you send out like a resume for a job you WOULD DIE TO HAVE. Have you double and triple checked for grammar and spelling boo boos? Did you fill in the agent’s name correctly (on this note, always go with the Mr. or Ms. + Last Name salutation, unless you have a previous correspondence where you know FOR CERTAIN using his/her first name would be preferred — by them, not you, just to be clear).
  2. Never lie: Okay, maybe I should have put this one first? Regardless, never (ever) lie in your query. Don’t say you know so and so if you don’t; don’t say your manuscript is finished if it isn’t; and don’t claim you have the next bestseller (you just might, but unless you can predict the future, this one won’t get you far).
  3. Be sure you have the right agent: Crazy, I know, but agents tend to put their submission wishlists on their websites or blogs. Or tweet about what they can’t wait to read next. Or mention in interviews what they’re dying to see in their slushpiles. Sending an agent a genre they don’t represent is an instant rejection, and wastes everyone’s time. You can also check out sites like Query Tracker, which allows you to search agents by genres. Also? Read interviews to learn quirks, likes, and dislikes. If your book is about a future world run by corrupt unicorns, it’s helpful to know if any of the agents on your list have a hate-on for unicorns (if that’s even possible…I mean, c’mon, unicorns are the COOLEST…)
  4. Write a great query letter: I’m going to leave it at that. If you want to know HOW to write a great query letter, check out this article from Writer’s Digest or visit one of my fave sites, Query Shark, to see real query letters getting put through the wringer. Also, enlisting help is a fab idea. I relied heavily on my amazing critique partners, and hired someone to help me polish my query letter (Lauren Spieller, who was AWESOME and definitely worth the investment).
  5. Have someone other than your mom (or cat) read said query letter: Unless your mom is an ex English teacher with a passion for grammar (like mine), be sure to get some extra eyes on that letter before you send it out. After reading something so many times (like, 101), your brain starts to skim over words that look familiar … including words with errors.
  6. Don’t become a stalker: Be friendly with agents you follow on Twitter, but for the love of God, do not tweet one minute after sending your query telling them to check their inbox, or send a Facebook friend request, or call just to find out if they did in fact get your query, or send multiple DMs with random questions … just relax, okay? If they like what they read, they’ll ask to see more. Then you can send a lovely and excited email with your REQUESTED submission.
  7. Keep it together: You will get rejected. Lots. So be prepared. Gather your chocolate, single malt scotch, tub o’ ice cream, or whatever else you keep around for those low moments. And KEEP IT TOGETHER when you get a “Dear Author, Thanks for thinking of us but we don’t feel it’s right for us at this time…” email in the inbox you’ve been refreshing every 5 minutes since you sent the query. It doesn’t feel good to be rejected (because when you hit send you were SO SURE that agent would love the premise and jump on a request), but it’s all part of the game.
  8. Go OFFLINE to rant: Part of keeping it together is having someone to vent to when you feel frustrated about the querying process, and you’re long out of feel-better chocolate. And keeping the rants offline is critical — whatever you put on Twitter is there for all to see. So unless your goal is to piss off Agent X who rejected your query a full two minutes after you sent it, do not take your frustrations out online. It’s bad practice, and you will be remembered for it versus any future brilliant book idea you come up with.
  9. Remember it’s a business: Rejections are business decisions. They don’t mean you can’t write, or that another agent won’t want to see your manuscript, but agents are in the business of selling books. And if an agent doesn’t feel she can sell your story, for whatever reason, she can’t take you on. It’s not personal. Unless you’ve engaged in social media public shaming of said agent, or one of her friends … then it’s probably personal.
  10. Try to remember it’s not the end of the world: I’ve said it before — no one NEEDS to write a book or be published. I certainly want those things, and I’m going to keep writing and querying until I make that happen, but I’m not losing perspective while I do. Life will carry on, even if I send out 1000 queries and get 1000 rejections … but if you ever see me writing about my “999th” query letter going out, “fingers crossed!”, please do me a favour and suggest I STOP IMMEDIATELY. Thanks.

 

 

While I wait, I write.

I’m in the query trenches right now, alternating between feeling like this:

 

And this:

 

And a little of this:

So while I wait, and wait, and hope, and wait, I’ve started working seriously on my next book. It is truly the best cure for the query hangover that comes in the morning when you open your inbox to a rejection…or two (or more), depending on the day.

And while part of me is exhausted at the idea of starting OVER AT THE BEGINNING AGAIN, I’m also VERY EXCITED. There is nothing like the thrill of an idea forming; the satisfaction of getting that first line down. Being able to see the scenes play out in your head, even if the threads between them don’t yet exist. This next book is ambitious — it has a hook that will be tricky to write, and I hope I’m up for the task.

Of course, if writing isn’t helping the rejection headache, I’ve also found chocolate and alcohol (in moderation) work well, along with celebrating good news of other writers. And with each rejection, send out another query. Because if you’re not ready to deal with the rejection, you’re just not ready to be querying.

As one of my lovely critique partners says, “Just keeping going. It’s bad until it’s good.”

Wise words.

Querying: Sticks and Stones (and dodgeballs)

About a week ago I finished revisions. For the eighth (give or take) time. Honestly, I’m not sure there’s a single word in my manuscript that I haven’t touched or retouched. I was lucky through this round to have fresh eyes on the story, and can’t thank my critique partners (Abby, Rosey, Kate, and Kristy) enough for sticking with me (and not telling me to STOP.SENDING.THEM.EMAILS).

So now I query. And toughen up, because I forgot how hard querying can be. I liken it to putting a bunch of strangers in a room, handing out rocks, and asking them to throw the stones at you (repeatedly) … for fun. Or like playing solo against a really good dodgeball team, sort of like this:

 

Why do we do this? Because let’s be honest, no one NEEDS to write a book. No one NEEDS to be published. Authors do this for all kinds of reasons, probably ranging from “why not?” to fulfilling a lifelong passion that won’t let them rest. As for me, I write because I love it. Stones and all.

There’s this pervasive saying amongst authors looking for agents … it’s always some variation of keeping at it until you find the right agent for your book. Which basically suggests there’s a right fit agent for nearly every book, and every writer. I’m here to suggest that is simply not true. I wrote two books when I was in middle school. My mom had both bound, and my daughter loves reading them with me (she’s also quite impressed by my illustrations of mice, toadstools and ice skating elephants). However, I guarantee there is no right agent for those picture books. They are not books that have (much of) an audience outside the walls of my home. And that’s okay.

Believing this ‘right agent’ myth is akin to believing there’s a pot of gold at the end of the rainbow, or that it’s good luck when it rains on your wedding day. While there’s nothing wrong with a little magic, and having a positive attitude goes a long (long) way, it also pays to be realistic … even if I desperately want for there to be unicorns, fairies, pots of gold, and for Hogwarts to send me my admission letter by owl.

I do believe there is an agent for (nearly) every well-written, thought-provoking, fresh concept, well-told story out there … as long as its author is prepared to do the work, and refine the manuscript until it’s so shiny it hurts to look directly at it.

So as I sit here today, a few queries out, a full manuscript requested (and subsequently rejected), I remind myself that my book is only as good as the work I’ve put into it (which, for the record, is a lot). And that hopefully there is a right agent out there who sees its potential and wants to team up with me in making it even better.

And that maybe this time I’ve been smart enough to hand out soft rubber balls, rather than stones …

 

 

For the love of writing …

When I was in journalism school I heard a lot of this: “Oh, so you want to be a writer?”

Um, no. I do not want to be a writer, I’d say. Television’s my thing. I had dreams of anchoring the news, or maybe becoming a producer. “I’ll never be a writer. Never,” I vowed.

Well, seems I was wrong.

Writing sort of snuck up on me while I was busy doing other things, including marketing, consulting, and (oh yeah) kicking cancer to the curb. After I was cancer-free, I took a good long look at the state of my life and priorities. I realized being in TV was not ideal for the life I envisioned. It didn’t allow the flexibility I wanted, and couldn’t accommodate the roots I hoped to put down.

So I put the title ‘writer’ on my business card and off I went. At first, it was all corporate work. A lot of marketing copy. (Like, A LOT). That was good, but I wanted to write for magazines. So I started researching and pitching, and eventually (when I say ‘eventually’, I’m talking about a year) I got a break. I met the editor-in-chief of Canadian Family Magazine (Jen Reynolds, who has now moved to Canadian Living as EIC) at a blogging conference, and we chatted. Over the next year we chatted more, here and there (mostly on Twitter), and then I pitched her a story. Which she bought. Then I pitched another one. She took that one too. Then I was published, and I checked that box off my living life bucket list. All the while I was writing fiction, too, but my book was hiding on my laptop, not quite ready to face anyone.

This week something exciting happened in my little writer’s world. I got a National Magazine Award nomination for a piece I wrote for Canadian Family last year, called ‘Frozen in Time‘. It was supposed to be a 500-word story, cooked up with Jen one day over lunch. Then I did some research and realized there was a lot more to it. So Jen gave me a whole bunch of words and a nice big space to do it right. Have I mentioned she’s a rock star editor? Well, she is.

You know when people say the first thing they’d do is quit their jobs if they won the lottery? I wouldn’t. I’d keep writing … just in a fancier space, maybe overlooking the ocean on the Amalfi Coast. Sigh. (Oh, could I write all the words with this view …)

Turns out I love writing. It’s creative, challenging, and offers a glimpse into nooks and crannies of the world I maybe wouldn’t get to see or experience otherwise. It’s an escape. It’s grounding. It’s humbling, and refreshing. It’s fun. And what it lacks in terms of security and a (regular/big/fat) paycheque, it makes up for with soul-filling satisfaction.

I guess ‘never’ really meant ‘later’ — good thing.

 

 

 

 

You did what?!

Whoa. It’s been a while since I posted. My only excuse is that I’ve been down a writer’s rabbit hole, and am only now popping up to see the light!
Here’s a brief rundown of the crazy events of the past few weeks. My last post talked about the pitch contest I entered, and why I’m a fan of such events. Well, that contest led to an agent request, which was exciting! Then I decided to play along with a twitter pitch contest running a few days later, put on by the same creative minds behind the Pitch Madness contest. THAT led to a small press publisher partial request!

And here’s where things went crazy.

 

That small press pub partial request (query and the first 25 pages of the manuscript) turned into a full request (!) … and a few days later, an offer of publication.

This. Was. Exciting. Like, really (REALLY) exciting. I was in Florida on vacay with the family, trying to sort out what I wanted to do. If I took the offer it meant my book could be in the hands of readers (or rather, on the screen of their e-readers, as it was a digital only press) by the end of 2013. Now small press publishing hadn’t been something I’d considered before. I have been set on the idea of getting an agent first. I really believe in the partnership of agent-author, and that felt like the right path for me.

But to be published by year end? Tempting …

However, there were some challenges with the offer, including editorial changes I wasn’t sure about. Contracts can be tricky and sticky, and I didn’t love the idea of slugging through that process on my own.

So I did what some lovely writer friends advised and sent notification of the offer to the agents I had queried. There weren’t that many of them, because I had only sent out a handful of queries before this all happened, but I ended up with eight agents reading my full manuscript by the end of the week.

To make a long story short (although I suspect it’s too late now, because this story is already long…), by the deadline I had one agent who offered representation and the publication offer on the table. I very carefully considered both offers, and then turned them down.

Many may think this was a crazy decision. Isn’t that exactly what I wanted, after all? Well, yes, but it wasn’t that simple. Through the passing agents’ feedback I got a good handle on what’s really working in my story — plenty of compliments on my writing and the ‘freshness’ of my premise and concept. However, I also sorted out what wasn’t working … and I wanted a chance to fix that on my own first. In truth, while both were GOOD offers, neither was the right fit for me … or my book — for reasons that aren’t important to mention here. But in my gut I knew I had to take a step back and start anew. So that’s what I did.

I have no regrets about my decision, even when I’m struggling through my revisions and feeling like I may never get it all done. Writing is like anything else — if your heart, head, and gut are not aligned, you need to reevaluate what you’re doing. That has never let me down before, and I’m confident it won’t this time either.

Off I go back down my rabbit hole again … see you when I see you …

 

 

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